Laios Touden (
myhungryass) wrote2024-08-04 09:33 am
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Laios's Heart Game
It's dark, and you are not quite conscious. You have the sense that you are climbing; that you have been climbing for a long time. You can feel the burn in your thighs, the ache in your calves. You're a little too hot, and what you're wearing is a little too heavy. You have the sense of taking a last weary, heaving step onto a plateau.

You find yourself in a dark, blank place, dominated by a huge, dead monster, building sized, as big as a tower. Each of its enormous heads that you can see laid out before you is easily the size of a ballroom. There is blood on its lips and nostrils, blood crusted around its empty eye-sockets, but there is a feeling of hollowness about it. On second thought, you're not quite sure if it's a corpse or a moult.
There is no sign of the stairs you vaguely remember climbing. You are standing on the surface of some opaque black liquid. It feels almost completely solid under your feet, springy, but your footsteps leave ripples spreading out in rings... all around you is a velvety, impenetrable darkness. The only thing you can see is the vast, lifeless beast in front of you, illuminated as if by spotlights, though no actual light-source can be found.
Its orifices are mostly clogged with blood, but somehow, as you stare at it, one vaulted nostril on the wolf's head begins to seem like an archway... the lolling tongue hanging out of the rhinoceros's head like an entry ramp... the exposed, hollow eye-socket on the eagle's head like a portal...
Of course, if you're not quite ready to step inside a monster, you could keep walking around its body and see what you find.

You find yourself in a dark, blank place, dominated by a huge, dead monster, building sized, as big as a tower. Each of its enormous heads that you can see laid out before you is easily the size of a ballroom. There is blood on its lips and nostrils, blood crusted around its empty eye-sockets, but there is a feeling of hollowness about it. On second thought, you're not quite sure if it's a corpse or a moult.
There is no sign of the stairs you vaguely remember climbing. You are standing on the surface of some opaque black liquid. It feels almost completely solid under your feet, springy, but your footsteps leave ripples spreading out in rings... all around you is a velvety, impenetrable darkness. The only thing you can see is the vast, lifeless beast in front of you, illuminated as if by spotlights, though no actual light-source can be found.
Its orifices are mostly clogged with blood, but somehow, as you stare at it, one vaulted nostril on the wolf's head begins to seem like an archway... the lolling tongue hanging out of the rhinoceros's head like an entry ramp... the exposed, hollow eye-socket on the eagle's head like a portal...
Of course, if you're not quite ready to step inside a monster, you could keep walking around its body and see what you find.
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At the back is a loose page. The monster on it seems to have been drawn by a child, albeit one who's pretty good at drawing monsters. It has one head fewer than the huge monster Al recently walked inside, but... it does seem similar.
As he touches that page, a memory washes over him.
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he sets it down, trying to sit up and pull at one of the flaps of the wagon cover to see outside. ]
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Even though he must be younger, he looks older. He's worryingly gaunt, and shuffles along, seeming listless. Although there's surprise on his face when Al pops out, he barely seems interested. "Hey... what are you doing in there?"
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A cold fog is rising around Al, obscuring his vision. He can still see Laios, but he seems murky, distant, indistinct. Who is this guy, anyway? He's nobody important. He's probably more trouble than he's worth. He looks like bad news. He's clearly an anti-social weirdo.
These thoughts creep into his mind, but it's possible to fight them off, to try and reach out. But on the other hand... Do you really want to waste your time talking to him...?
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he glances back to Laios, and he's surprised at how distant he suddenly is. ]
—Hey! Um ... where do you want to go?
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The fog clears further as he thinks about her, and he cuts himself off, squinting at Al a bit, his eyes seeming a little more alert beneath his long, ragged bangs. (He smells so bad.)
Slowly, recognition dawns.
"—she's your housemate, isn't she? Al...?"
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Yeah! I'm Alphonse.
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Then he squints. "...wait, are you really here just travelling? This is the past..."
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I did, yes. And ... ah, I really am just—passing through? I hope?
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