Laios Touden (
myhungryass) wrote2024-08-04 09:33 am
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Laios's Heart Game
It's dark, and you are not quite conscious. You have the sense that you are climbing; that you have been climbing for a long time. You can feel the burn in your thighs, the ache in your calves. You're a little too hot, and what you're wearing is a little too heavy. You have the sense of taking a last weary, heaving step onto a plateau.

You find yourself in a dark, blank place, dominated by a huge, dead monster, building sized, as big as a tower. Each of its enormous heads that you can see laid out before you is easily the size of a ballroom. There is blood on its lips and nostrils, blood crusted around its empty eye-sockets, but there is a feeling of hollowness about it. On second thought, you're not quite sure if it's a corpse or a moult.
There is no sign of the stairs you vaguely remember climbing. You are standing on the surface of some opaque black liquid. It feels almost completely solid under your feet, springy, but your footsteps leave ripples spreading out in rings... all around you is a velvety, impenetrable darkness. The only thing you can see is the vast, lifeless beast in front of you, illuminated as if by spotlights, though no actual light-source can be found.
Its orifices are mostly clogged with blood, but somehow, as you stare at it, one vaulted nostril on the wolf's head begins to seem like an archway... the lolling tongue hanging out of the rhinoceros's head like an entry ramp... the exposed, hollow eye-socket on the eagle's head like a portal...
Of course, if you're not quite ready to step inside a monster, you could keep walking around its body and see what you find.

You find yourself in a dark, blank place, dominated by a huge, dead monster, building sized, as big as a tower. Each of its enormous heads that you can see laid out before you is easily the size of a ballroom. There is blood on its lips and nostrils, blood crusted around its empty eye-sockets, but there is a feeling of hollowness about it. On second thought, you're not quite sure if it's a corpse or a moult.
There is no sign of the stairs you vaguely remember climbing. You are standing on the surface of some opaque black liquid. It feels almost completely solid under your feet, springy, but your footsteps leave ripples spreading out in rings... all around you is a velvety, impenetrable darkness. The only thing you can see is the vast, lifeless beast in front of you, illuminated as if by spotlights, though no actual light-source can be found.
Its orifices are mostly clogged with blood, but somehow, as you stare at it, one vaulted nostril on the wolf's head begins to seem like an archway... the lolling tongue hanging out of the rhinoceros's head like an entry ramp... the exposed, hollow eye-socket on the eagle's head like a portal...
Of course, if you're not quite ready to step inside a monster, you could keep walking around its body and see what you find.
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[ looks around at the vast nothing?? ]
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[ he's just gonna. start looking through the items now. ]
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The wok is well-tended and beautifully seasoned, shiny inside. When he picks it up, an image flashes through his mind, along with a deep sense of admiration—even idolization—and respect.
For a moment he finds himself thinking deeply about the human impact on ecosystems... how humans can't actually extricate themselves from being part of their ecosystem, and shouldn't, but how they are able to affect it in ways that other animals can't, and how that leaves a responsibility towards stewardship. (Notably for Al, he probably gets at least a vague sense that the definition of "human" here does not mean, exclusively, "tallman" but more like "sapient person" but this info dump isn't specifically about that.)
The sword rattles violently in its scabbard when he gets close. If he goes to pick it up, it suddenly skips across the ground away from him! Does he chase it...?
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he nearly flinches when the sword first rattles, then takes his hand back entirely when it skips away. ]
What on earth?
[ he does follow after it though, approaching more cautiously now. ]
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The sword gives one more violent rattle as he smacks it down, then goes still. It's a double-edged sword with an embellishment on the hilt that looks like wings.
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[ he half-mumbles that to himself over the musings that wash over him, bending over to pick up the sword by the scabbard rather than by the hilt so he can look at the decoration of it. ]
Oh, is this what he uses in the dungeon? Can swords normally move on their own though ... ?
[ musing again as he walks with it, going for the next item (if nothing happens). ]
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F-Falin—
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...or he can try something wild? I'm just narrating here.
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aahh~~ dungeon meshi~but no, Al does realize the different then, glancing between the book and the tombstone. it feels almost shitty to leave it when it was that intense, but he does move on to the other objects since he said he's help Laios. ]
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He's already looked at Moon House, and probably noticed the forbidding feeling coming from Sun House means he wouldn't be able to get in. Will he investigate Hen House in case there are more items hidden in there? Marcille did say there probably weren't more than two, but it might be best to check? Or he can just fly on out of here.
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He can't just walk straight into this one like Moon House, but the door swings open if he knocks. It feels homey, safe and inviting. He can smell fried rice cooking. As he walks in, he gets a sense of being nurtured. Some of the details inside are wrong, too—clearly Laios hasn’t paid too much attention to what the chairs look like.
The doors inside (to the bedrooms, bathroom and shrine room) are closed, but he can hear whispering within the bedroom shared by Laios, Louis and Laura. If he approachs, he realizes it’s Laios’s voice, talking to himself.
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